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Multiple screenigs both at UNAM venue and the Museo Contemporaneo el Eco:
25.9-11.10.2026
Sofia Pintzou
ANAKḖLĒSIS
(video art, 12 mins)
Official invitation from the Festival Cultura UNAM 2026, Mexico City, in the frame of its Artes Visuales focusing on the topic Vestigios del Futuro («vestiges of the future»).
Concept, Choreography & Performance: Sofia Pintzou
Filming, Editing & Post Production: Achilleas Gatsopoulos
Original Music & Sound Design Recording: George Katsanos
Mixing & Mastering: Dimitris Dimitriades | Zero Gravity Studios, Athens
Photography: Mikolaj Karczewski
Dramaturgical consulting: Marin Bauer, Georgia Alevizaki
Voice & texts, translations & paraphrases: Sofia Pintzou
Citations:
No mouth. No tongue. No teeth. No larynx. No esophagus. No belly [...] (Antonin Artaud, „Pour en finir avec le jugement de dieu“, French radio broadcast, 1947).
The activation of a contingency, the differentiation of a simplicity, the fragmentation of a totality, the vital impulse (Henri Bergson, „L’ évolution créatice“ [1907], in Œuvres, intr. Henri Gouhier, comm. André Robinet [Paris: Presses Universitaires de France, PUF, Édition du centenaire. 1. ed., 1959], p.571/90).
Ironic blasphemy (Donna Haraway, "A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s"), Socialist Review, no. 80 (1985): 65–107).
No one has yet determined what this body can do (Baruch Spinoza, „The Ethics“ [1677], trsl. Samuel Shirley, ed. & intr., Seymour Feldman [Indianapolis / Cambridge: Hackett Publishing Company, 1992], Part III, Proposition 2, Scholium, p.105).
Special thanks: Ilektra Lioumi, Elena Evangelia
Choreography reherasals: Jump ‘n’ Jive Athens Swing Team, KoukaKi, GR
Filmed on locations at: Sculpture Theatre Aixoni, Municipality of Glyfada, Attiki, GR
PERIAKTOI Theatre, Markopoulo, Attiki, GR
Panorama, Porto Rafti, Attiki, GR
Vilnia River, Vilnius, LT
ph©Achilleas Gatsopoulos
LT
3.11.2026, Panevezys (World-premier)
5.11.2026 Vilnius
DK tour Nov-Dec/2026:
25-28.11 Aarhus
29.11 Vejle
1.12 Randers
2.12 Roskilde
3-5.12 Copenhagen
DK tour 2027:
4.1 Skive
5.1 Kolding
6.1 Odense
7.1 Stevns
8.1 Horsens
Granhøj Dans
KVIUM'S FIGURES MOVE ME. BUT HOW DO THEY MOVE THEMSELVES?
-performance-
A large print of a Kvium figure is presented on stage. A dancer arrives—dressed like a member of the audience—and observes the artwork. Then, the dancer begins to dress or undress until they look exactly like the figure—after which the dancer strikes the same pose as the one in the print . . . . AND NOW the figure begins to move—in my interpretation, representing existence in the physical world—WOW—it is dramatic! The performance goes on to feature several solo scenes in which each figure is "born" from the canvas. And naturally, some of these figures meet—though I don't think it leads to a harmonious romance.
Dancers: Sofia Pintzou, Mikolaj Karczewski, Marius Pinigis,
Performers: Palle Granhøj, Darius Berulis
Musicians: Dalia Dedinskaite (violin), Gleb Pyšniak (cello)
Singers: Anne Eisensee, Thierry Boisdon
Choreographer: Palle Granhøj
With the support of the Danish Arts Council.
ph©Michael Kvium
Premier: 26.05.2026
Olga Neuwirth
ORLANDO
Komische Oper Berlin
-performance-
Conductor: Johannes Kalitzke
Direction: Ewelina Marciniak
Sets: Mirek Kaczmarek
Costumes: Julia Kornacka
Choreography: Agnieszka Kryst
ph©Komische Oper Berlin
Premier: 24.01.2026
Nikolai Rimski-Korsakow
SNOWMAIDEN (SCHNEEFLÖCKCHEN)
Staatstheater Wiesbaden
-co-choreography with Alexander Fend-
Direction: Maxim Didenko
Video: Oleg Mikhailov
Set & costumes: Galya Solodovnikova
ph©Max Borchardt