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Multiple screenigs both at UNAM venue and the Museo Contemporaneo el Eco:
25.9-11.10.2026

Sofia Pintzou
ANAKḖLĒSIS 
(video art, 12 mins)

Official invitation from the Festival Cultura UNAM 2026, Mexico City, in the frame of its Artes Visuales focusing on the topic Vestigios del Futuro («vestiges of the future»).

Concept, Choreography & Performance: Sofia Pintzou 
Filming, Editing & Post Production: Achilleas Gatsopoulos
Original Music & Sound Design Recording: George Katsanos
Mixing & Mastering: Dimitris Dimitriades | Zero Gravity Studios, Athens
Photography: Mikolaj Karczewski 
Dramaturgical consulting: Marin Bauer, Georgia Alevizaki
Voice & texts, translations & paraphrases: Sofia Pintzou

Citations:
No mouth. No tongue. No teeth. No larynx. No esophagus. No belly [...] (Antonin Artaud, „Pour en finir avec le jugement de dieu“, French radio broadcast, 1947).

The activation of a contingency, the differentiation of a simplicity, the fragmentation of a totality, the vital impulse (Henri Bergson, „L’ évolution créatice“ [1907], in Œuvres, intr. Henri Gouhier, comm. André Robinet [Paris: Presses Universitaires de France, PUF, Édition du centenaire. 1. ed., 1959], p.571/90).

Ironic blasphemy (Donna Haraway, "A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s"), Socialist Review, no. 80 (1985): 65–107).

No one has yet determined what this body can do (Baruch Spinoza, „The Ethics“ [1677], trsl. Samuel Shirley, ed. & intr., Seymour Feldman [Indianapolis / Cambridge: Hackett Publishing Company, 1992], Part III, Proposition 2, Scholium, p.105).

Special thanks: Ilektra Lioumi, Elena Evangelia

Choreography reherasals: Jump ‘n’ Jive Athens Swing Team, KoukaKi, GR

Filmed on locations at: Sculpture Theatre Aixoni, Municipality of Glyfada, Attiki, GR
PERIAKTOI Theatre, Markopoulo, Attiki, GR
Panorama, Porto Rafti, Attiki, GR
Vilnia River, Vilnius, LT

ph©Achilleas Gatsopoulos

LT
3.11.2026, Panevezys (World-premier)
5.11.2026 Vilnius
 

DK  tour Nov-Dec/2026:
25-28.11 Aarhus
29.11 Vejle
1.12 Randers
2.12 Roskilde
3-5.12 Copenhagen

DK  tour 2027:
4.1 Skive
5.1 Kolding
6.1 Odense
7.1 Stevns
8.1 Horsens

Granhøj Dans
KVIUM'S FIGURES MOVE ME. BUT HOW DO THEY MOVE THEMSELVES?

-performance-

A large print of a Kvium figure is presented on stage. A dancer arrives—dressed like a member of the audience—and observes the artwork. Then, the dancer begins to dress or undress until they look exactly like the figure—after which the dancer strikes the same pose as the one in the print . . . . AND NOW the figure begins to move—in my interpretation, representing existence in the physical world—WOW—it is dramatic! The performance goes on to feature several solo scenes in which each figure is "born" from the canvas. And naturally, some of these figures meet—though I don't think it leads to a harmonious romance.
Dancers: Sofia Pintzou, Mikolaj Karczewski, Marius Pinigis,
Performers: Palle Granhøj, Darius Berulis
Musicians: Dalia Dedinskaite (violin), Gleb Pyšniak (cello)
Singers: Anne Eisensee, Thierry Boisdon
Choreographer: Palle Granhøj

 

With the support of the Danish Arts Council.

ph©Michael Kvium

Premier: 26.05.2026

Olga Neuwirth
ORLANDO 
Komische Oper Berlin

-performance-

Conductor: Johannes Kalitzke
Direction: Ewelina Marciniak
Sets: Mirek Kaczmarek
Costumes: Julia Kornacka
Choreography: Agnieszka Kryst

ph©Komische Oper Berlin

Premier: 24.01.2026

Nikolai Rimski-Korsakow 
SNOWMAIDEN (SCHNEEFLÖCKCHEN)
Staatstheater Wiesbaden

-co-choreography with Alexander Fend-

Direction: Maxim Didenko
Video: Oleg Mikhailov 
Set & costumes: Galya Solodovnikova

ph©Max Borchardt

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